Oh, woe is me.

So, I asked for comments, and I got a good one. Apparently I hadn't enabled the thing properly. Anyhow, now you can while away the hours freely airing your humble-most thoughts in the comments field.

Thanks, Jay.

Nature intended the abstract…

…for you and me.

This mix was the first I did solely on CD, and mostly from downloaded mp3s. Yes, I admit that they were not originally my own, but since then I've gotten hold of nearly all of these on disc. In fact, that has been the net outcome of my downloading experience; I buy a ton of CDs, nearly daily, and almost entirely inspired by things I hear/download online.

I had spent a week at a yoga retreat in southern Utah—incredible scenery—at a place, now defunct, called Inner Harmony. I made the mix with those people who were my fellow students and teachers in mind. Then I sent a copy to each of them, along with the address of another of our co-yogis, and asked them each to make cover art and send that to their enclosed recipient. I heard from 2 or 3 out of 20 or so people. Oh, well, one tries.

In any case, several people have given me very warm feedback on this one, so I hope you enjoy it, too.

The Inner Harmonica

(to download the entire mix, click here.)
(to download all the art in order to make a CD with cover, etc., click here.)

1. El Desierto - Lhasa
2. Conference of the Birds - Dave Holland Quartet
3. Mushaboom - Feist
4. Le Fleur - Minnie Ripperton
5. Cissy Strut - The Meters
6. Mr. Rabbit - Paul Westerberg
7. All Good Naysayers, Speak Up! - Sufjan Stevens
8. Spill the Wine - War
9. I Wish I Knew How It Would Feel to Be Free - Shirly Scott and the Soul Axes
10. Beautiful Day - Katell Keineg
11. Plate Techtonics - Phalen/Moore
12. Daughter - Peter Blegvad
13. From Now On, We Walk - The Books
14. Three Day Night - The Books
15. Kaimuki Hula - Na Mele Hawai'i
16. Homeboy - King Creosote
17. Gabriel - Lamb
18. The Plum Blossom - Yusef Lateef
19. N.I.T.A. - Young Marble Giants
20. Such Great Heights - The Postal Service
21. Waitin' For Superman [The Flaming Lips] - Iron & Wine
22. I'm Going Home - Sacred Harp Singers (from Cold Mountain OST)

Metal vocals?/Squares

Ever wondered how those guys sing like that and still manage to be able to order pizza?
What say, Lips?

*****Click here to get valuable tips before you try it at home.*****



Non-sequitur:


Reminds me of one of the most wonderful music videos out there:

Can't embed this one. Also, consider contributing to his site; clearly, the guy deserves it.
I love the lead-in-groove-sounds at the beginning. Smells like Trane spirit.

People/Bags/Cameras/Hidden

Here are some pictures that make me wonder about people:






Those above are (is) The Hidden Cameras. One of my all-time-faves. Certainly one of the best live acts you'll ever see.



See this post for some Hidden mp3s.

Alfred Tomatis/Benjamin Whorf/Virgil Griffith/Edouard Locke

A Taste of Tomatis

"The Tomatis method refers to the work of Dr Alfred A Tomatis, an ear, nose and throat specialist born in France. His method—aka 'auditory training,' 'auditory stimulation' and 'listening therapy'—is intended to re-educate the way we listen to improve learning and language abilities, communication, creativity and social behaviour. Perhaps the most poignant aspect of his theory, though, is the Tomatis effect, which posits that we can vocalise only those sounds that we can hear. His groundbreaking research led Tomatis to the following conclusions:

The primary function of the ear is to convert sound waves to electrochemical impulses that charge the neocortex of the brain.

Sound is a nutrient; we can either charge or discharge the nervous system by the sounds we take in through both air and bone conduction.

There is a distinction between hearing and listening. The two are related, but distinct, processes. Hearing is passive; listening is active. This corresponds to the difference between seeing and looking. Listening and looking are active focussing processes.

The quality of an individual's listening ability will affect both spoken and written language development; listening ability also influences communication, thereby shaping the individuals's social development, confidence, and self-image.

The active process of listening can be enhanced or refucused by auditory stimulation using musical and vocal sounds rich in high frequencies. This entails the use of filtered and enhanced audio tapes employing the music of Mozart and Gregorian chant.

Communication is a process that begins in utero. The unborn child hears as early as the fourth month after conception. Sound actually helps the foetus's brain and nervous system to grow."

from Sullivan's Music Trivia by Paul Sullivan; pg. 98

This reminds me of Benjamin Whorf:

"The Sapir-Whorf hypothesis, also known as the Whorfian hypothesis, proposed that language affects thought, and the structure of the language itself affects cognition. As Whorf put it, "Language shapes the way we think, and determines what we think about."

"My analysis was directed toward purely physical conditions, such as defective wiring, presence or lack of air spaces between metal flues and woodwork, etc., and the results were presented in these terms. ... But in due course it became evident that not only a physical situation qua physics, but the meaning of that situation to people, was sometimes a factor, through the behavior of people, in the start of a fire. And this factor of meaning was clearest when it was a LINGUISTIC MEANING [Whorf's emphasis], residing in the name or the linguistic description commonly applied to this situation. Thus, around a storage of what are called 'gasoline drums,' behavior will tend to a certain type, that is, great care will be exercised; while around a storage of what are called 'empty gasoline drums,' it will tend to be different -- careless, with little repression of smoking or of tossing cigarette stubs about. Yet the 'empty' drums are perhaps the more dangerous, since they contain explosive vapor. Physically, the situation is hazardous, but the linguistic analysis according to regular analogy must employ the word 'empty,' which inevitably suggests a lack of hazard. The word 'empty' is used in two linguistic patterns: (1) as a virtual synonym for 'null and void, negative, inert,' (2) applied in analysis of physical situations without regard to, e.g., vapor, liquid vestiges, or stray rubbish, in the container.

In studying the cause of a fire which had started under the conditions just described, Whorf concluded that it was thinking of the "empty" gasoline drums as "empty" in the meaning described in the first definition (1) above, that is as "inert," which led to a fire he investigated. His papers and lectures featured many other examples from his insurance work to support his belief that language shapes understanding."

via Wikipedia

Sometimes, people's logic is just backwards. Some said this about Whorf. I say this about Virgil Griffith.


This does not remind me of Edouard Locke:

The Wire/David Simon/Bill Moyers

Last night I watched the final episode of season 5 of The Wire. I put it off as long as I could; I will miss very dearly watching this show. A friend pointed me to the podcasts of Bill Moyers' Journal (they're available for free through iTunes) and his excellent interview with David Simon, the creator of the show. I think it's a must-listen, even if you haven't (yet) seen the show.

Click here to hear the podcast (you'll have to go to iTunes to subscribe.)

Ólafur Arnalds offers FREE download

Excellent Icelandic neo-classical composer Ólafur Arnalds has posted his new second album online, free, for the taking. This is, dear readers, a brave new world.



Go ahead and click on those birds now!